MAISON MARGIELA ‘DEFILE’ CO-ED COLLECTION
AUTUMN-WINTER 2020

2020 AUTUMN-WINTER Co-ed Collection

Restoration signifies a return to worth: a re-awakening of traits and values evoking a collective sense of belonging within us. For the Autumn-Winter 2020 Défilé collection, Maison Margiela revives the dress codes of our shared societal conscience. Through the gestures and uniforms associated with the bourgeoisie, creative director John Galliano recycles familiar symbols of a mindful era, and upcycles them for a progressive new age. A study of the emotional make-up of our lived-in social identity, it is an illustration of the restorative power of heritage attributes and articles imbued with the soul of history; resonating the grammar of today.

 

Recicla is a new entry in the vocabulary of John Galliano at Maison Margiela. A portmanteau composed from terminology denoting reusability, the marque expands on the existing concept of Replica used to brand reproductions of vintage finds within the collections of the house. Items carrying the new white Recicla label – listing provenance and period – are genuine authentic pieces, handpicked by John Galliano, restored and re-appropriated as limited-edition garments or accessories, intended for sale. Recicla pieces integrate throughout the show, from coats cut into elongated collars to the splicing of several garments in poverina dresses. Recicla accessories include wicker bags, Snatched bags crafted from taro leaves, and 5AC bags upcycled from reclaimed luxury skins.

 

Informed by techniques developed for the Artisanal collection, elements associated with the bourgeois wardrobe appear alongside heritage uniforms invoking restorative sensibilities: dress codes exuding societally rooted emotions of familiarity, belonging and wellbeing. Recalling relatable values, instinctive bourgeois gestures are captured within garments: the blasé shrug of a jacket off the shoulder, the nonchalant drape of a scarf around the neck. They echo traces from the traditional bourgeois wardrobe – pussy-bow blouses, culottes, and Mary-Janes – while the invigorating pastimes of the bourgeoisie are emulated in uniforms native to hiking, sailing and exploring.

 

Through the technique of work-in-progress, the gestures of the dressmaker are freeze-framed within jackets and trousers. Here, the splicing of tailoring wools with calico – the humble material of toiles – conjures the acts of tailoring, the trademark of the classic gentleman. Fabric sequins, a scalloping method that reveals the contrast of linings in a lace-like effect, cut up the icons of the bourgeois wardrobe with progressive panache. The suspenseful colours of mid-century realism are evoked through an aquarelle filtrage created from translucent layers of fabric in bias-cut siren dresses.

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